Tag Archives: folk

Thursday’s Three, March 8th

Thursday's Thr3e

This is the second edition of the new series I began last week. Each Thursday I’ll write a post with three bands: ones I’ve recently discovered and think are awesome and think you will too, or ones that have a new record out. Sometimes (like this week) it’ll be three new releases; sometimes three discoveries; sometimes a little of each. Let’s get to it, to it, to it…

New Release: Josh Ritter – The Beast In Its Tracks

JR_TBIIT_Digipack_FThis is a break-up record. Ritter recorded it after his marriage ended, and a 56-second little intro sets the scene: “Last night I saw / Someone with your eyes / Someone with your smile / We danced / And I regret that she asked me to / Cuz she didn’t have your arms…” I love that; it’s so subtly heart-wrenching. One could easily gloss over this brief song in a rush to reach the core tunes – indeed, I did exactly that my first couple times through this album – but stop a moment and recognize how close you would need to be with someone, how intimately you must know them, to notice in someone else a difference so small. The woman had his former lover’s eyes and smile, two features so often put to song. But she didn’t have her arms, and that made all the difference.

Only Josh Ritter could use such an emotional collapse as inspiration for a record as gorgeous as this, full of vibrant, layered songwriting and inimitable imagery. In “Joy To You Baby” he sings “To the lion of evening, with the storm in its paw…” Who else is writing like that right now? It’s what keeps me coming back to his music. If you’ve never heard him before and like this album, I recommend The Animal Years, Southern Pacifica, and The Historical Conquests of Josh Ritter, in that order.

[youtube http://youtu.be/xwFPq8EItko]

Listen to that track all the way through – there’s a curveball at the end. (C’mon, we’ve all been there.)

New Release: The Cave Singers – Naomi

Cave SingersThe Cave Singers play indie/folk rock with a gritty southern twang that belies their Seattle origins. Naomi is their fourth’ LP and second since switching to well-known indie label Jagjaguwar (Bon Iver, Okkervil River, Sharon Van Etten). It’s quite similar to 2011’s No Witch, but I’m alright with that. This is one of those bands that I don’t expect to mix it up. That’s not a negative thing – they have a certain spot and they hit it really well, so I don’t mind if they just hang right there.

New Release: Waxahatchee – Cerulean Salt

ceruleansaltWaxahatchee began as the bedroom recordings of Katie Crutchfield, an origin story that is rapidly transitioning from exception to norm. 2012’s American Weekend left no doubt of this with its stripped down nature, but it won accolades for introspective lyricism and its skin-after-a-rug-burn emotion. Crutchfield has returned less than a year later with an album to which I was immediately partial simply because the name includes my favorite color/crayon. The electricity and additional production present in Cerulean Salt represent a clear break from its acoustic predecessor, but connecting the dots is not hard; it’s the next logical step for this songwriter. One cannot remain in bare bones forever (see: Van Etten, Sharon).

Check back next Thursday for another three!

New Mount Moriah Record Streaming on Pitchfork

Mount Moriah

Miracle Temple, the new album from North Carolina alt-country trio Mount Moriah, is now streaming on Pitchfork. This should give you a feel for their sound:

[youtube http://www.youtube.com/watch?v=5Fem7oAHxlk]

UPDATE: The album is now available. The last track is particularly solid.

Tramp

[youtube http://www.youtube.com/watch?v=msY42F7e32s?]

Currently on repeat: the new Sharon Van Etten record, Tramp. Alternating between serrated-edge rock that belies her pain-hewn folk foundation and fragile, gorgeous slow burners, this is a triumphant third effort from an ever more confident songwriter.

Lost In The Trees EP

Lost In The Trees is an orchestral folk band from Chapel Hill, NC. Their debut LP, All Alone In An Empty House, was an easy favorite of 2010, and included both traditional folk tracks and instrumental, orchestrally-focused songs. I’ve been hoping for a follow-up since. No word on that yet, but I just found that yesterday the band started adding some songs to their SoundCloud page, which previously had not been updated in seven months. These aren’t new tracks – most of them are from the band’s 2007 EP Time Taunts Me – but I hadn’t heard them before. There are also some others I’d never heard mixed in with the songs from All Alone. An exciting find!

I love this instrumental mix of “Lost in the Snow.” Such heavy drum beats in their music is a new one for me.

Lost in the Snow (instrumental mix) by Lost In The Trees

And here’s the title track from that EP.

Time Taunts Me by Lost In The Trees

I also recommend checking out the great Tiny Desk Concert they did over at NPR Music:

Dust Bowl III

I discovered Other Lives through NPR earlier this year, and their album Tamer Animals is one of this year’s favorites for me. They remind me a lot of The National, or at least High Violet, with pulsing, driving songs that are frequently minor key-driven, while exuding some sort of pop feel at the same time.

Check out this recording of “Dust Bowl III” from Oregon’s opbmusic.org (and NPR):

Talking to Turtles – “Grizzly Hugging”

[youtube http://www.youtube.com/watch?v=eRdm1JeMojc?]

sxsweveryband:

Talking to Turtles – “Grizzly Hugging” 

German folk/rock band Talking to Turtles are a welcome addition to the Americana-inspired European artists led by Mumford & Sons this year.  Though their songs come across as folk-tinged in one sense, there is a heavy rock and roll influence on Talking to Turtles that distinguishes their sound.  The more they embrace plugged-in elements, the more they succeed.  This is best shown on their latest record Oh, The Good Life, currently streaming on the band’s website.  There is a dense and serious tone throughout Talking to Turtle’s catalog that works well, reminiscent of Lost in the Trees without the orchestral flare.  The album as a whole has a diverse mix, which bodes well for reaching out to a wider audience.  Whether it’s a quiet folk tune or a rollicking electric number, Talking to Turtles comes across as consistently honest and engaging.

Didn’t love this song, but, when combined with the above description, it was good enough to check into the album they’re streaming on their site. Listening now.

Also, I just have to point out the similarity of their name to the progressive bluegrass band Trampled by Turtles. While the genres are different enough, I would venture a guess that these two bands’ fanbases are fairly similar.